Showing posts with label Barry Adamson. Show all posts
Showing posts with label Barry Adamson. Show all posts

Saturday, 5 December 2015

50

Fifty years old.

For the first time since I was about twelve I celebrated a birthday with parties of a sort. On the Saturday prior I invited seven local friends and their families to join me and remarkably all said yes... there was me with a whole line up of substitutes and none got the call. Now, clearly, if I didn't invite you and you're fairly local then you were eighth on my list, promise.

Anyway, since my sister moved back to the UK we've travelled over numerous times to see her in South Wimbledon / Raynes Park, and driven past Fish! Kingston every time. I love fish, and having looked at the website it was a no-brainer.. top quality fish and chips plus other fishy dishes, mmm. As it was the food was exceptional, even better than I had dreamed! And the company, wow, wonderful, a lovely collection of people that I would spend the rest of my days with, thank you for coming out!

The following Saturday it was back to Suffolk to celebrate with my mum, Cheryl's mum and sister plus two. Tilly's, Halesworth is a 1920's themed tea shop. They recently started serving Friday and Saturday dinners and these were just as incredible. Brilliant grub and it looks like we'll be returning for mum's 80th in the new year: result!

As part of the celebrations I did some drawing:


I also tried to find 50 things I love but went slightly over..

Board Games
Books
Film
Food & Drink
Miscellaneous
Music
Music (cont.)
Places
Agricola
The Archbishop’s Children
Woody Allen
Beef Brisket
Apple Mac
4AD
Stephen Jones
Alte Lohnhalle
Andean Abyss
S T Coleridge
Luc Besson
Bread
Arsenal
‘A User’s Guide’
Jay Jay Johanson
Berlin
Boggle
Norman Collins
The Big Blue
Cauliflower
Badminton
Barry Adamson
‘Love My Way’
Bracken
Bruges
Dictionaries
The Billion Dollar Hotel
Champagne
Kevin Beattie
And Also The Trees
Billy MacKenzie
Bushey Park
Carcassonne
The End of the Affair
Blue Velvet
Cheddar
Blessings Roses
‘As Requested’ / ‘Mean Streak’
‘Making Plans For Nigel’
Dresden
The Castles of Mad King Ludwig
Richard Ford
Caos Calmo
Cheesecake
Blossom
Belasco
’Malicious Love’
Firenze
Codenames
Frederick Forsyth
Frank Capra
Chick Peas
Cricket
The Beloved
‘Mesopotamia’
Forests
Stefan Feld
Gabriel Garcia Marquez
Double Indemnity
Chocolate
Driving
Bjork
Mew
Fuchsias
Glass Road
Jean Genet
L’Enfer
Crumble
Gerbils
Broken Family Band
Morrissey
Hills
Le Havre
Graham Greene
Foreign Land
Epoises
Hedgehogs
The Cure
Conor Oberst
Lakes
Hawaii
Samantha Harvey
The Hairdresser’s Husband
Fish & Chips
David Hockney
‘Damaged Goods’
The Passage
Le Havre
Hive
Susan Hill
Alfred Hitchcock
Gruyere
Ikea
’Dear Heart’
John Peel
London
Kiesling & Kramer
Babs Horton
Jim Jarmusch
Jacket Potatoes
Ipswich Town
‘East St O’Neill’
Placebo
Lugano
Lewis & Clark
In The Springtime of the Year
Kitchen Stories
Kleftiko
Just One Sentence
David Eugene Edwards
‘Postcard’
Normandie
Memoir 44
John Keats
Fritz Lang
Lemon Sole
Charles Rennie MacIntosh
Dead Kennedys
Silversun Pickups
Otranto
Ora & Labora
The Last Letter From Your Lover
Leaving
Malbec
Margaret Merrell Roses
Annie Eve
‘Some Girls Are Bigger Than Others’
Portman Road
Railways of the World
Henning Mankel
My Life As A Dog
Panna Cotta
Claude Monet

Gene
‘The Song From Under The Floorboards’
Soldeu
Rialto
Moscow 2042
Paris
Pasta
August Rodin
Vic Godard
Spearmint
Stockholm
Uwe Rosenberg
Jojo Moyes
Manuel Poirier
Rice
Scottish Terriers
‘Headache (for Michelle)’
David Sylvian
Streams
Splendor
Haruki Murakami
Jean Renoir
Rosemary
Alfred Sisley
'Heaven Sent’
Tracey Thorn
Suffolk
Ticket to Ride
Ivan Turgenev
Russian Ark
Rib Eye Steak
Snow
Kristen Hersh
Tricky
Tarn Hows
Tinner’s Trail
Mario Vargas Llosa
Trop Belle Pour Toi
Salice Salentino
Swatch
‘I Don’t Even Know If I Should Call You Baby’
The Unthanks
Trees
Tzolk’in, the Mayan Calendar
William Shakespeare
Western
Scallops
Swimming
Idlewild
The Villagers
Worlingham
Twilight Struggle
The Wilderness
Young and Innocent
Whisky
Frans Thijssen
The Incredible Shrinking Dickies
M Ward
Zurich

Wednesday, 8 October 2014

The Murky World of Barry Adamson

Next stop on the musical roundabout is Manchester. Away from London this place is magical for music, I adore the passage beyond words, although I will try expressing something about them in due course. Then I fell for the Buzzcocks and Magazine too, Joy Division, New Order and The Smiths. I cannot imagine what life would have been without these bands. 

Amongst the wonderful artists the most intriguing over the whole of my life has been Barry Adamson. Superb bassist with Magazine initially, his career has twisted through The Gun Club, Iggy Pop, Nick Cave and the Bad Seeds, and film scores and the Magazine re-union and his jazz influenced albums. I’ve been lucky enough to see him live several times now and the whole family witnessed a superb gig at the Queen Elizabeth Hall in February snow, 2012. 

Presence the man has in abundance, and more than his fair share of rhythm naturally, and a wonderful sense of humour - introducing his shakers as his bald friends Dave and Howard! Mrs Hora and I went to see him at the Pigalle Club, Piccadilly and decided to eat first. As we were being shown to our table Barry had clearly just finished his soundcheck and we said hello. He said something along the lines of ‘good timing, wouldn’t want my voice spoiling your meal’, as if!

I’ve only recently noticed that he’s currently touring with Nick Cave again. Should have tried to get a ticket for the Albert Hall next year, mmm, might try, will be impressive I’m sure.

He had Billy MacKenzie sing on a song too. It’s a brilliant piece, ‘Achieved in the Valley of the Dolls’ on the ‘Oedipus Schmoedipus’ album which also featured Nick Cave on the lushous ‘Sweetest Embrace’ and Jarvis Cocker in a rare moment of his that I like, ‘Set the Controls for the Heart of the Pelvis’, great title.

My favourite albums (in order): Stranger on the Sofa; Oedipus Schmoedipus; The Murky World of;

Favourite songs (not in order!): Every single song on the ‘Stranger’ album, some amazing weirdness, it’s a belter!!; Still I Rise; Straight ’til Sunrise; Deja Voodoo; The Snowball Effect; 007 A Fantasy Bond Theme; What It Means; The Big Bamboozle; The Trigger City Blues; The Man With The Golden Arm; The Vibes Ain’t Nothin’ But The Vibes; Walk The Last Mile


Best lines: ‘and so they will find me, and in the middle of a cold afternoon, they will ask, ‘what is it exactly that you know?’ and then, they will take me outside, and they will kill me, that much I do know.’